Here are my images:
1.
cropped - restored - before & after2.
cropped - restored - tinted3.
cropped - hand colored4.
cropped - hand colored -vignetted5.
cropped - re-mattedThe first image was the most time consuming. The image was cropped and resized. I adjusted the levels manually. To fill in the holes in the picture I stamped the ground and sky with attention paid to texture in order to make the image seem as realistic as possible. I replaced the horses missing head on the middle right. I used the burn and dodge tools to bring out detail in the houses, people, fencing, and trees.
For the second image I colored it with a yellow fill (FFFF66) in order to give the picture an olde timey sepia tone after bringing down the opacity.
The third image I overlayed color with a mid-range opacity to distinguish these soldiers as Union artillery and give some interesting color to this Harper's Weekly lithograph of the battle of Gettysburg. These men were cropped from the tiny bottom corner of a huge image.
The fourth image is a vignetted version of the previous one.
The is the re-matted version of the men with the cannon. The scan of the image was good at the outset so the quality wasn't greatly increased. Regardless, I toyed with the Layer Blending options and used the Unsharp Mask filter.
I submit these images despite my objections to their relevancy in any historical context. Any image or photograph is of course subjective because of what is included, excluded, and manipulated in order to form the image to the desires of its creator. I believe that any undertaking that uses historical images that have content that has been further manipulated by the end user diminishes the overall integrity of the work. There is an assumption, or at least I believe there should be, that any information contained in a work of history, to include its images, should be as historically accurate. Including things that are willfully inaccurate for the sake of aesthetics is at best of little value and at worst misleading.
The only real historical information you can deduce from an image is the history of the image. For example, the picture of the house at Gettysburg that I restored doesn't tell us anything about Gettysburg per se. What we can learn is what the photographer wants to convey to us
so it is almost useless in learning about Gettysburg. It is, however, useful for telling us about the conditions under which the photograph was created and later handled. By manipulating the image to exclude things we see as flaws, we destroy the only true historical value of the photograph.
(I only partly believe what I just ranted about.)